The Diversion
Act I
[Scene 6]
Enter Don Ambrosio, a nobleman, and Cristina, with a letter in her hand
Cristina
I will go as far as putting it
where she can see it,615
but, as for the rest,
I fear I cannot satisfy you.
Don Ambrosio
Contrive that she reads it, my friend.
The happiness of this sad person
depends on that alone.620
Cristina
I have said I will ensure she sees it.
Perhaps, out of curiosity,
Marcela might wish to read it.
One must exercise caution
with her considerable virtue.625
I will not open my mouth
to say a single word to her.
Love’s power, be it great or small,
does not work within her.
Don Ambrosio
Is Don Antonio, by any chance, attentive to her?630
Cristina
As to a sister.
Don Ambrosio
Who can guarantee his intentions are so healthy?
Her father has been ill-advised.
Cristina
She does not have one.
Don Ambrosio
[aside]
Yes she does,635
but it does not suit my purpose
to reveal that I know.
My tongue must hold the key
to my suspicions,
some of which are very serious,640
and my heart must not give them away.
Cristina
You must go, señor—
a page from the house is here.
Don Ambrosio
My friend, take this tiny reward
for your diligence and pains.645
You can count on mountains of riches to come!
Cristina
The least of your favours is usually a Potosí…
you know, that goldmine in Peru.
He gives her a little painted box
Exit Don Ambrosio and enter Quiñones
Quiñones
Cristina, who was the handsome man
who so submissively composed his lines?650
‘I am yours, and I surrender to you’
‘By God, the kitchen maid is pretty!’
He gives his orders and commands—
‘Put that there, take that away'—
and also plays the jealous lover.655
Cristina
Mr high-and-mighty page
would do better to bite off his tongue
than speak words of disapproval.
Have you become another Ocaña?
Jealousy and more jealousy!660
Quiñones
Be quiet! Can’t you see we’re in the street.
Cristina
Oh, goodness me!
The sad little boy is getting cross!
Quiñones
Not so loud, Cristina.
That kind of crowing deserves…665
Cristina
What, my ruffian?
Quiñones
A slap.
Cristina
In my face?
Quiñones
Why not? I could slap a priest’s face.
Cristina
And you would raise your hands against such beauty670
as the heavens put in my rosy cheeks?
Quiñones
Jealousy’s revenge is always crazed.
Ocaña is coming—
walk on and hide amongst the crowd.
Exeunt Quiñones and Cristina and enter Ocaña
Ocaña
My sun has left the orient675
and is heading westwards,
trailing behind her the shade
that steals her rosy glow.
For me she is not a sun,
but a fog that darkens my mind.680
May it please God, humble page,
scourge of all my hopes,
that you are not favoured,
nor your lineage esteemed.
I hope you serve a vagabond685
who gives short rations,
and that your estate’s some dive.
Let nobody mourn you when you die,
and if the heavens lead you
to serve someone with a title,690
let the butler declare himself your enemy.
May you not profit from the candle ends,
nor take pleasure in the leftovers,
and may you never grow whiskers,
so you always remain a page.695
May they call you rude names,
and may you lose your rations gambling,
which is the worst curse a man can utter.
Exit Ocaña.
On stage:
- Don Ambrosio
- Cristina
- Quiñones
- Ocaña
Props:
- a letter
- a little painted box